Editing Is Writing

I am willing to bet that editing is what stands between most writers and their dreams.

The act of writing is romanticized at length in writerly circles, while talk of editing is typically met with derision, or at best, patience.

Editing is where the magic happens, people. Not all great writers follow this rule, but most of the writers that I hold in high regard are known to take significant time editing and perfecting everything they produce. Rothfuss, GRRM, Robert Jordan all fall into this category (at least I assume that’s what they are doing with all that time in between books). Even a writing-production freak like Sanderson has admitted that mastering the art of editing and revising is what propelled him from anonymity to the enormous success he is today.

Editing is where plot is perfected. It is the process by which characters of convenience become paper people with lives of their own. Pace can be fixed, molded to fit your narrative.

Here are a few things I include in my editing process that you may want to consider in yours:

  1. Cut >= 10% of your word count: many authors have vouched for this trick. I tried to cut on several of my previous edits, only to add more words in the name of clarity. Clarity in writing is of utmost importance and deserves an edit all its own, but when I did an edit pass with the sole purpose of cutting word count to improve pace, unnecessary words, sentences, and paragraphs started to jump out at me. I recently finished an edit pass and cut 17,500 words (12%) from my book! It took a great deal of work, but was a great experience. Precision is beautiful.
  2. Fill your plot holes: This is likely more of a problem for those who wing their books like I did with Ire. I ended up having to put A LOT of work into the book to correct plot issues and holes, and will likely never do that again. I recommend having at least some idea ahead of time of what your major plot points will be, where and how you’d like to build up to them and foreshadow, etc. But, even the best plot plan often changes, and making it bullet-proof is an opportunity that shouldn’t be passed up. This is also where smart Beta readers come in handy. Anything that any significant amount of beta readers come back with (or a particularly trusted reader) as a point of confusion, fix it.
  3. World Building and Character Elements: Writing characters is something I really enjoy and strive to do well. The danger of “knowing” your characters is that you (hopefully) write them well, but many of the endearing traits that make your characters interesting and lovable live only in your head or in your notes. Take the time to build character elements into the scenes that already exist, and to make sure that your character actions, dialogue, etc are all consistent. Similarly, this should be an opportunity to introduce any world building elements that are pertinent to your story.
  4. Read-throughs to improve flow, clarity, and continuity: The most time consuming edits for me are read-throughs, but they are also some of the most important. If your prose isn’t clear and doesn’t flow well, it’s frankly not worth reading. Everything is fair game here: grammar, punctuation, sentence structure, paragraph breaks, making your statements “active”, etc.